If you live in England, and have either looked out the
window or been on facebook you’ll have undoubtedly noticed it’s snowing. So
here is a weather-appropriate review of Eowyn Ivey’s The Snow Child.
The Plot: Alaska in the 1920’s is wild and desolate, winters
are harsh and lives are difficult. Jack and Mabel have come to this barren
place to stake their financial and emotional wellbeing on an isolated homestead.
Mabel cannot forget the baby she lost some years previously, and when a young
girl, Faina, appears on their land, the maternal instinct she feels towards
this unusual child is overwhelming.
Inspired by Arthur Ransome’s retelling of a Russian folktale
Little Daughter of the Snow, Eowyn
Ivey’s retains an ethereal fairytale feeling. There is something ‘other’ about
Fain, she is mysterious and it is ambiguous whether she is a fairytale snow maiden
as Mabel believes, or a half-feral orphan.
The landscape is a hugely important to the novel, and the
imagery is vivid. Rural Alaska is bleak and harsh, it amplifies the loneliness
Mabel feels, and the barren land is symbolic of her childless situation. Mabel’s
sadness and vulnerability is sensitively written and her possessiveness toward
Fain is understandable.
Parental and maternal bonds are a key theme of The Snow Child. The consequences of the
death of Mabel and Jack’s child are keenly felt. They are both terrified that
they will lose another child, so the love they give Fain is suffocating and
restricting.
Fain remains just as enigmatic to the reader as she is to
her adoptive parents. Some readers may find this frustrating, but I thought it
was essential to her character that her past and motivation remain unknown. To
be in keeping with fairytale tradition there needs to be an element of the
uncanny. Fairytales are often dark and foreboding, and so is The Snow Child.
The Snow Child is
enchanting, and, on a day like today, an atmospheric read.
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